Hu Qinwu Lightbox - Blue

Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer

Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.

My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.

Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.

Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).

In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.

Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.

A boxed set fine bone china medium bowl designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Lam Wai Kit is interested in the relationship between individuals and their surrounding circumstances reconstructing images and daily experiences in order to search for the notion and representation of identity. Her mug depicts images of Ravenna and Hong Kong and is entitled Divided Minds 44. Kit studied at CUHK and Goldsmiths, London and works in Hong Kong in the medium of photography, video art and sound. Showing internationally, she has taken up residencies in Norway, Portugal, Spain and Germany.

Unframed 60x60cm Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

Material: Tibetan wool   Size: 6 x 9ft   100 knots       For more pricing and further information please send us your inquiry:Custom Order 

A fine bone china oval platter: 'Be The Winner' by artist Richard Winkworth. This iconic design centres on the Happy Valley Racecourse in Hong Kong in the style of chinese blue and white porcelain export ware.

A boxed set of 4 fine bone china sinner plates by Firenze Lai (edition of 30)

Firenze Lai says that she knows her studio of a few hundred square feet intimately; from the textures of its surfaces to the way the breeze blows into the room. The spaces depicted in her paintings are equally intimate. When curators seem to be at a loss for words to discuss troubled times, fear of containment, and the feeling of being completely enmeshed in a space, they turn to Lai's paintings, which have been shown as part of Para Site's A Journal of the Plague Year. Fear, ghosts, rebels. SARS, Leslie and the Hong Kong story (17 May–20 July 2013), and A Hundred Years of Shame—Songs of Resistance and Scenarios for Chinese Nations (6 March–17 May 2015). Further, Lai has shown work in international solo and group presentations, including Turbulence at Mirrored Gardens in Guangzhou (29 October–28 November 2015), the 10th Shanghai Biennale, Social Factory (23 November 2014–31 March 2015), the 2015 New Museum Triennial, Surround Audience (25 February–24 May 2015), and in Venice for the 57th Venice Biennale (13 May–26 November 2017). More recently, a selection of nine of Lai's paintings appear in Tai Kwun Contemporary's Contagious Cities: Far Away, Too Close (26 January–21 April 2019).

Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer

Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.

My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.

Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.

Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).

In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.

Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).