Jayne Dyer Lightbox - NOW

Ho Sing Tung is interested in literature and movies her paintings are often maps of personal journeys, both real and imaginary. Her mug depicts political figures around a reversed personal map of Hong Kong and is a commentary on the ineffectiveness of government. Ho Sin Tung was trained at the Fine Art Dept of CUHK. She was born and brought up in Hong Kong and has shown widely in Hong Kong, being represented by Hanart TZ Gallery.

Faux is delighted to present a unique collection of limited edition Lightboxes by Nadim Abbas

Nadim Abbas (born 1980, Hong Kong) is a Hong Kong installation artist.

Abbas received his BFA from London's Chelsea College of Art & Design and MPhil from the University of Hong Kong Department of Comparative Literature. He teaches at the City University Hong Kong School of Creative Media and the Hong Kong Art School/ RMIT University.

Faux is delighted to present a unique collection of limited edition Lightboxes by Amy Cheung

Amy Wan Man Cheung is a conceptual artist and has produced large-scale works. Born and raised in Hong Kong, she received a B.A. in art history and fine art from Goldsmiths College in London and an M.F.A. from the Slade School of Fine Art of the University of London. She represented Hong Kong in the 2007 Venice Biennale, and in the same year she received the "Outstanding Young Artist Award" from the Hong Kong Arts Development Council. She was awarded a grant in 2010 from the Asian Cultural Council to participate in an international residency program in New York and to meet artists and curators around the United States.

A boxed set of 4 fine bone china sinner plates by Tang Kwok Hin (edition of 30)

Tang Kwok-hin is a mixed media artist and independent curator based in Hong Kong. Focusing his work on ‘the occasion’, ‘space’, and ‘time’ is his way of encountering images or symbols to explore hidden rules in living and existing in a context of self-expression. In his view, art is about selecting or underscoring something in a complete sentence. His artworks have exhibited at Hong Kong Museum of Art; the Ice Palace in Miami; the Esplanade in Singapore and Venice Arsenale, Italy. In 2009, he won first prize at Hong Kong Biennale, and in 2010 and 2011, he was awarded the Special Award “Personal Exhibition” by the 5th International Arte Laguna Prize. He also won the Young Artist Award in 2010. Collectors include Hong Kong Museum of Art, Deutsche Bank as well as private collectiors worldwide. He received his Master of Fine Arts from the Chinese University of Hong Kong in 2008.

Faux are delighted to present the "Elements Collection', a box set of 4 individually designed 8-inch fine bone china starter plates by Hong Kong artist, Riya Chandiramani. This beautiful series is an evolution and continuation of the Mehndi Collection by the artist. In 2 complementary colours, these designs are based on the 4 elements: "Earth" and "Fire" in White and Gold, and "Water" and "Air" in Black and Platinum. These wonderful plate designs in fine bone are perfect for serving starters, pasta, desserts and tapas. What better wat to decorate your table as you usher in the festive season and a prosperous New Year. Riya's "Elements Collection" are great for gifting too.

Unframed 60x60cm Artist: Gao Pingn

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

A boxed set fine bone china serving platter designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Unframed 60x60cm Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

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Faux is delighted to present a unique collection of limited edition Lightboxes by Hu Qinwu

Hu Qinwu (born 1969) was born in Shandong, China, and currently works in Beijing as a painter, photographer and printmaker.

Qinwu studied oil painting at the Yantai Normal Academy, Shandong where he graduated in 1990. He went onto attain a Masters degree in Painting from the Central Academy of Fine Arts, Beijing in 2008. In 2010 Qinwu taught as a guest lecturer at the Central Academy of Fine Art in Beijing.[2] Qinwu's choice of materials for his paintings align with the scholarly tradition of Chinese ink painting. However, Qinwu subverts the traditions of the medium through a style that aligns more closely with the aestheticisms of the Abstract movement. The concept behind his style and technique, however, is informed by Zen Buddhist philosophies and practices. Critics have noted that Qinwu's command of ink, tempera, acrylic, oil and print media signals the germination of an exciting new approach to traditional techniques and the burgeoning of an abstract style amongst a young generation of artists in Beijing.