Jayne Dyer Lightbox - HOT

Unframed 100x100cm Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer

Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.

My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.

Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.

Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).

In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.

Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.

Framed Artist: Gao Ping

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Material: Tibetan wool   Size: 6 x 9ft   100 knots       For more pricing and further information please send us your inquiry:Custom Order 

A boxed set fine bone china large bowl designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer

Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.

My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.

Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.

Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).

In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.

Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.

Faux is delighted to present a unique collection of limited edition Lightboxes by Huang Xu

HUANG XU specializes in extreme close-ups of objects shot in a studio using architectural scanning equipment.  He composes extraordinary suites of photographic images that address the developing structure of Chinese culture.

Huang Xu was born in Beijing.  He established the Substratum Art Studio in 1989, the Migrant Bird Art Studio in 1991 and the Big Basin Studio in 2003.  He has exhibited in Australia and China and works as a professional photographer in Beijing. He is included in the collections of The White Rabbit Collection (Sydney, Australia), University of Western Sydney (Sydney, Australia), Turchin Center for the Visual Arts (North Carolina, USA), ANZ (Melbourne, Australia) O Gallery (Beijing, China ), Yu Gallery (Paris, France), CAP Collection (Australia and China) and Jackson Lalic Lawyers (Sydney, Australia).

Chow Chun Fai is an artist, a tai-chi practitioner and comes from a family of taxi drivers, which has fueled his fascinated with the city's urban landscape. Inspired by the lost art of film hoarding painting, which uses commercial enamel paints, Chow's mug is a reproduction of one of his paintings of an iconic Hong Kong taxi. Graduating with multiple awards from the CUHK, Chow Chun Fai is an active member of the Fotan Artist Village.

Framed Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

A 12-piece fine bone china Chinese dining set for 2 in chocolate designed by Louise Soloway Chan. The boxed gift set includes 2 side plates, 2 Soup bowls, 2 rice bowls, 2 soy sauce dishes and 2 chopstick holders. The designs features characters and illustrations taken from the artists installed artworks in Sai Ying Pun MTR based on the districts street life.