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These beautifully designed plates are part of a series of collaborations for Artists' Editions at faux. There are 4 plates in each boxed set of a limited edition of just 50 sets. Each set contains a certificate signed by the artist.
Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer
Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.
My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.
Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.
Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).
In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.
Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.
Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer
Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.
My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.
Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.
Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).
In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.
Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.
Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer
Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.
My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.
Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.
Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).
In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.
Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.
Ye Ling Han Limited Edition Dinner Plates - Set of 4
Ye Ling Han attended the prestigious China Academy of Art in Hangzhou where he studied traditional mural painting and drawing. His academic training is evident in his many works on paper, which have been included in his recent exhibitions. After completing his studies, Ye Ling Han spent time living and working in Hangzhou and Shanghai where he further developed his artistic expression in this traditional medium. He recently relocated his studio to Beijing, near the 798 Arts District where he now works. Ye Ling Han's multi-media work has garnered great critical acclaim and attention both on home territory and overseas. More recently, he was included in over 25 exhibitions such as the Minsheng Art Museum; MOCA Shanghai; Ben Brown Fine Arts in both London and Hong Kong; and the Today Art Museum in Beijing.
A boxed set fine bone china medium bowl designed by Angela Su(edition of 80)
Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.
In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique. Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).
A boxed set fine bone china large bowl designed by Angela Su(edition of 80)
Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.
In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique. Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).
A boxed set fine bone china serving platter designed by Angela Su(edition of 80)
Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.
In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique. Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).
A boxed set of 4 fine bone china sinner plates by Cary Kwok (edition of 30)
Cary Kwok is a London and Beijing based artist well know for his exquisite ballpoint pen drawings. Born in 1975 and raised in Hong Kong, he moved to London to further his studies in the mid 90s spending six years at Central Saint Martins College of Art and Design studying fashion at BA and MA levels. A fascination with fashion, period costumes, footwear and sexuality forms the nucleus of Kwok’s subject matter; the diversity of styles and street fashion of London, as well as period films, also influence him greatly. Subjects range from explicit male nudes to period portraits and still life.
And hairstyles and shoes are among his favoured subjects with work often subtly alluding to issues of race, ethnicity, culture, gender and sexual equality. Cary is represented by Herald St Gallery in London and has exhibited internationally in London, New York, Miami, Tokyo, Geneva and Zurich, including shows at Galerie Emanuel Perrotin, Miami; Attention to Detail curated by Chuck Close at FLAG Art Foundation, New York; Rude Britannia at the Tate Britain, London; Taro Nasu, Tokyo and Hauser & Wirth, Zurich.
A boxed set fine bone china serving platter designed by Angela Su(edition of 80)
Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.
In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique. Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).
