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These beautifully designed plates are part of a series of collaborations for Artists' Editions at faux. There are 4 plates in each boxed set of a limited edition of just 50 sets. Each set contains a certificate signed by the artist.
Faux is delighted to present a unique collection of limited edition Lightboxes by Hu Qinwu
Hu Qinwu (born 1969) was born in Shandong, China, and currently works in Beijing as a painter, photographer and printmaker.
Qinwu studied oil painting at the Yantai Normal Academy, Shandong where he graduated in 1990. He went onto attain a Masters degree in Painting from the Central Academy of Fine Arts, Beijing in 2008. In 2010 Qinwu taught as a guest lecturer at the Central Academy of Fine Art in Beijing.[2] Qinwu's choice of materials for his paintings align with the scholarly tradition of Chinese ink painting. However, Qinwu subverts the traditions of the medium through a style that aligns more closely with the aestheticisms of the Abstract movement. The concept behind his style and technique, however, is informed by Zen Buddhist philosophies and practices. Critics have noted that Qinwu's command of ink, tempera, acrylic, oil and print media signals the germination of an exciting new approach to traditional techniques and the burgeoning of an abstract style amongst a young generation of artists in Beijing.
Faux is delighted to present a unique collection of limited edition Lightboxes by Hu Qinwu
Hu Qinwu (born 1969) was born in Shandong, China, and currently works in Beijing as a painter, photographer and printmaker.
Qinwu studied oil painting at the Yantai Normal Academy, Shandong where he graduated in 1990. He went onto attain a Masters degree in Painting from the Central Academy of Fine Arts, Beijing in 2008. In 2010 Qinwu taught as a guest lecturer at the Central Academy of Fine Art in Beijing.[2] Qinwu's choice of materials for his paintings align with the scholarly tradition of Chinese ink painting. However, Qinwu subverts the traditions of the medium through a style that aligns more closely with the aestheticisms of the Abstract movement. The concept behind his style and technique, however, is informed by Zen Buddhist philosophies and practices. Critics have noted that Qinwu's command of ink, tempera, acrylic, oil and print media signals the germination of an exciting new approach to traditional techniques and the burgeoning of an abstract style amongst a young generation of artists in Beijing.
Faux is delighted to present a unique collection of limited edition Lightboxes by Tony Scott
For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.
1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance
Faux is delighted to present a unique collection of limited edition Lightboxes by Tony Scott
For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.
1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance
A boxed set of 4 fine bone china sinner plates by Firenze Lai (edition of 30)
Firenze Lai says that she knows her studio of a few hundred square feet intimately; from the textures of its surfaces to the way the breeze blows into the room. The spaces depicted in her paintings are equally intimate. When curators seem to be at a loss for words to discuss troubled times, fear of containment, and the feeling of being completely enmeshed in a space, they turn to Lai's paintings, which have been shown as part of Para Site's A Journal of the Plague Year. Fear, ghosts, rebels. SARS, Leslie and the Hong Kong story (17 May–20 July 2013), and A Hundred Years of Shame—Songs of Resistance and Scenarios for Chinese Nations (6 March–17 May 2015). Further, Lai has shown work in international solo and group presentations, including Turbulence at Mirrored Gardens in Guangzhou (29 October–28 November 2015), the 10th Shanghai Biennale, Social Factory (23 November 2014–31 March 2015), the 2015 New Museum Triennial, Surround Audience (25 February–24 May 2015), and in Venice for the 57th Venice Biennale (13 May–26 November 2017). More recently, a selection of nine of Lai's paintings appear in Tai Kwun Contemporary's Contagious Cities: Far Away, Too Close (26 January–21 April 2019).
Born in 1974 in Brighton, England, Birch has lived and worked in Hong Kong for over twenty years. He has had solo exhibitions in Beijing, Los Angeles, Miami, and Singapore and has participated in group shows at the Hong Kong Museum of Art and the Museum of Contemporary Art, Tokyo. Birch has been awarded the prestigious Louis Vuitton Asian Art Prize and the Sovereign Asian Art Prize. He has organized manylarge-scale multimedia installation projects in Hong Kong, most notably: HOPE & GLORY: A Conceptual Circus (2010) and Daydreaming With…The Hong Kong Edition(2012) and has recently opened his show, The 14th Factory in Los Angeles.
