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  • By Artist: Cary Kwok
  • By Artist: Firenze, Lai Ching Yin
  • By Artist: Mariko Jesse

Beijing Toile 10.5" Dinner Plates (Set of 4) - Red

HK$1,300.00

A beautiful gift box set of 4 fine bone china 10.5 inch dinner plates in Faux’s iconic contemporary Beijing Toile designed by Mariko Jesse in red. These are great for festive celebrations such as Christmas, New Year and dinner parties, these equisite plates available in classic red and white china exportware and blue on white.

Cary Kwok Dinner Plates (Set of 4)

HK$4,400.00

A boxed set of 4 fine bone china sinner plates by Cary Kwok (edition of 30)

Cary Kwok is a London and Beijing based artist well know for his exquisite ballpoint pen drawings. Born in 1975 and raised in Hong Kong, he moved to London to further his studies in the mid 90s spending six years at Central Saint Martins College of Art and Design studying fashion at BA and MA levels. A fascination with fashion, period costumes, footwear and sexuality forms the nucleus of Kwok’s subject matter; the diversity of styles and street fashion of London, as well as period films, also influence him greatly. Subjects range from explicit male nudes to period portraits and still life.

And hairstyles and shoes are among his favoured subjects with work often subtly alluding to issues of race, ethnicity, culture, gender and sexual equality. Cary is represented by Herald St Gallery in London and has exhibited internationally in London, New York, Miami, Tokyo, Geneva and Zurich, including shows at Galerie Emanuel Perrotin, Miami; Attention to Detail curated by Chuck Close at FLAG Art Foundation, New York; Rude Britannia at the Tate Britain, London; Taro Nasu, Tokyo and Hauser & Wirth, Zurich.

Firenze, Lai Ching Yin Dinner Plates (Set of 4)

HK$4,400.00

A boxed set of 4 fine bone china sinner plates by Firenze Lai (edition of 30)

Firenze Lai says that she knows her studio of a few hundred square feet intimately; from the textures of its surfaces to the way the breeze blows into the room. The spaces depicted in her paintings are equally intimate. When curators seem to be at a loss for words to discuss troubled times, fear of containment, and the feeling of being completely enmeshed in a space, they turn to Lai's paintings, which have been shown as part of Para Site's A Journal of the Plague Year. Fear, ghosts, rebels. SARS, Leslie and the Hong Kong story (17 May–20 July 2013), and A Hundred Years of Shame—Songs of Resistance and Scenarios for Chinese Nations (6 March–17 May 2015). Further, Lai has shown work in international solo and group presentations, including Turbulence at Mirrored Gardens in Guangzhou (29 October–28 November 2015), the 10th Shanghai Biennale, Social Factory (23 November 2014–31 March 2015), the 2015 New Museum Triennial, Surround Audience (25 February–24 May 2015), and in Venice for the 57th Venice Biennale (13 May–26 November 2017). More recently, a selection of nine of Lai's paintings appear in Tai Kwun Contemporary's Contagious Cities: Far Away, Too Close (26 January–21 April 2019).

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