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Ye Ling Han Limited Edition Dinner Plates - Set of 4

Ye Ling Han attended the prestigious China Academy of Art in Hangzhou where he studied traditional mural painting and drawing. His academic training is evident in his many works on paper, which have been included in his recent exhibitions. After completing his studies, Ye Ling Han spent time living and working in Hangzhou and Shanghai where he further developed his artistic expression in this traditional medium. He recently relocated his studio to Beijing, near the 798 Arts District where he now works. Ye Ling Han's multi-media work has garnered great critical acclaim and attention both on home territory and overseas. More recently, he was included  in over 25 exhibitions such as the Minsheng Art Museum; MOCA Shanghai; Ben Brown Fine Arts in both London and Hong Kong; and the Today Art Museum in Beijing.

Faux is delighted to present a unique collection of limited edition Lightboxes by Amy Cheung

Amy Wan Man Cheung is a conceptual artist and has produced large-scale works. Born and raised in Hong Kong, she received a B.A. in art history and fine art from Goldsmiths College in London and an M.F.A. from the Slade School of Fine Art of the University of London. She represented Hong Kong in the 2007 Venice Biennale, and in the same year she received the "Outstanding Young Artist Award" from the Hong Kong Arts Development Council. She was awarded a grant in 2010 from the Asian Cultural Council to participate in an international residency program in New York and to meet artists and curators around the United States.

A boxed set of 4 fine bone china sinner plates by Cary Kwok (edition of 30)

Cary Kwok is a London and Beijing based artist well know for his exquisite ballpoint pen drawings. Born in 1975 and raised in Hong Kong, he moved to London to further his studies in the mid 90s spending six years at Central Saint Martins College of Art and Design studying fashion at BA and MA levels. A fascination with fashion, period costumes, footwear and sexuality forms the nucleus of Kwok’s subject matter; the diversity of styles and street fashion of London, as well as period films, also influence him greatly. Subjects range from explicit male nudes to period portraits and still life.

And hairstyles and shoes are among his favoured subjects with work often subtly alluding to issues of race, ethnicity, culture, gender and sexual equality. Cary is represented by Herald St Gallery in London and has exhibited internationally in London, New York, Miami, Tokyo, Geneva and Zurich, including shows at Galerie Emanuel Perrotin, Miami; Attention to Detail curated by Chuck Close at FLAG Art Foundation, New York; Rude Britannia at the Tate Britain, London; Taro Nasu, Tokyo and Hauser & Wirth, Zurich.

A boxed set of 4 fine bone china sinner plates by Lulu Ngie (edition of 30 )

Lulu Ngie focuses on Chinese ink painting and prefers to use simple lines and forms in her figurative works. She also works in oil and watercolour. Today, her ink work is gaining much interest both at home and overseas and is perceived as a potent tool that raises questions about the role of Chinese and East Asian traditions in contemporary art, especially when global events such as art fairs are pushing this medium towards a more homogeneous aesthetic. Majoring in painting, Lulu Ngie, graduated from Hong Kong Art School in 2006.

A boxed set fine bone china large bowl designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

A boxed set fine bone china medium bowl designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

A boxed set fine bone china serving platter designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

A boxed set fine bone china serving platter designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).