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This exquisite set of 4 hand-cut Grape coloured glassware in classic retro design are the perfect addition to your table decoration. The 'Old Fashioned' glass or Rock Glass is a short tumbler used for serving spirits, such as whisky on the rocks and gin and tonic. They’re great for gifting on special occasions such as weddings, anniversaries, and birthdays as well as festive occasions such as Christmas, New Year and Thanksgiving.

This exquisite set of 4 hand-cut Emerald coloured glassware in classic retro design are the perfect addition to your table decoration. The 'Old Fashioned' glass or Rock Glass is a short tumbler used for serving spirits, such as whisky on the rocks and gin and tonic. They’re great for gifting on special occasions such as weddings, anniversaries, and birthdays as well as festive occasions such as Christmas, New Year and Thanksgiving.

A fine bone china Teapot in Faux’s iconic award-winning Hong Kong and Kowloon Willow Pattern in Red and Gold designed by artist Mariko Jesse. This lovely teapot pours really well (up to 6 cups) and will add so much style to your crockery collection. Timeless in every way, the uniquely classic yet contemporary Willow Series is a wonderful addition to your home décor. Exquisitely packaged, the Willow series are perfect gifting at weddings and birthdays. These elegant ceramics are also great for giving at festive celebrations such as Christmas, New Year and Thanksgiving. Available in classic red and white china exportware and blue and white.

This exquisite set of 4 hand-cut Vermillion coloured glassware in classic retro design are the perfect addition to your table decoration. The 'Old Fashioned' glass or Rock Glass is a short tumbler used for serving spirits, such as whisky on the rocks and gin and tonic. They’re great for gifting on special occasions such as weddings, anniversaries, and birthdays as well as festive occasions such as Christmas, New Year and Thanksgiving.

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).