These vibrant east-meets-west cups are perfect for drinking espresso or tea. About Eleanor McCollEleanor, McColl is a multi-disciplinary artist based in Hong Kong. Drawn to the dramatic palate of dilapidation, refurbishment and renewal, her cityscapes explore the interface between Hong Kong's unique verticality and it's impacton its people. McColl studied Fine Art at U.W.E Bristol, in England and came to Hong Kong in 1999 to pursue her career as an artist and art educator. Single Cup – Horse, these beautiful collectible artists designed fine bone china East-Meets-West Zodiac Cups by Eleanor McColl are the perfect unique gifts for family and friends. Discover your future with your zodiac sign or simply choose the animal you desire. Great for espresso and tea drinkers alike, these cups are a must have festive celebrations such as Chinese New Year. Available in an array of vibrant colours.

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Material: Tibetan wool   Size: 6 x 9ft   100 knots       For more pricing and further information please send us your inquiry:Custom Order 

Faux is delighted to present a unique collection of limited edition Lightboxes by Jayne Dyer

Jayne Dyer is an Australian artist based in Lisbon, Portugal and Sydney, Australia.

My international practice is hybrid, interdisciplinary and socially engaged, and address identity and otherness, particularly in reference to what we culturally and socially valued. Projects are site-specific, collaborative, and increasingly performative.

Two key projects are planned for 2019: This Savage Garden, a series of installations conceived for Adaption & Transition, Bienal do Fotografia, Porto, Portugal, to be exhibited at Palacio de Cristal Jardim; and Art Politic, to be developed at DMZ (Demilitarized Zone) & JSA (Joint Security Area), and exhibited at Suwon Museum of Art, South Korea. These continue my focus on social and environmental states of change and crisis and insinuate a fragile interiority.

Exhibition highlights include the Triennial of Photography, Hamburg, Germany (2018); Foreigners, Bury Art Museum & Sculpture Centre, UK (2017); Tell me something, 2016 Colombo Art Biennale, Sri Lanka; Last Things, Bury Art Museum & Sculpture Centre, UK (2016) in collaboration with British artist Wayne Warren; Sharpness, Anna Pappas Gallery, Australia (2016); It’s closing time for gardens of the West, Palazzo Mora, 2015 Venice Biennale, with Wayne Warren; Ger to Ger, Mongolia National Art Gallery, Ulaanbaatar, Mongolia (2013); Unbound, Macquarie University Gallery, Sydney, Australia (2013); The protest that never ends, ARTISTERIUM 5, Tbilisi, Georgia (2012); URS27, Taipei City Urban Redevelopment initiative, Taiwan; Spill, Kuandu Museum of Fine Arts, Taipei, Taiwan (2011); postEDEN, Today Art Museum, Beijing, China (2010); The Recycled Library, Art Space, Mackay, Australia (2009); Spare Room, Elizabeth Bay House Museum, Sydney, Australia (2007).

In 2013 I received the inaugural Individual Artist Award from Australian Federal Government for arts achievements in Asia and in 2005 a Commonwealth of Australia public service medal for contributions to arts and education. Arts agencies including the Australia Council for the Arts, Asialink Australia, DFAT, Fubon Art Foundation, Taipei Culture Foundation, the Sovereign Art Foundation, Hong Kong and the Australian High Commission, Sri Lanka, have funded major projects and residencies.

Jayne Dyer undertakes large scale public and corporate commissions such as K11 Hong Kong; Four Seasons, Beijing; Crown Properties in Perth, Melbourne, and Manila; Marriott Manila Grand Ballroom; Swire East & City Plaza, Hong Kong; Modi Residency, New Delhi.