Artists' Editions

The Seven Deadly Sins Limited Edition Plates - Set of 8

The Seven Deadly Sins Limited Edition Plates - Set of 8

HK$8,888.00
Dimensions (in cm)
Width: 30.00

Artist: Konstantin Bessmertny

Quantity

Related Products

We design original art based products and homeware by taking the finest materials nature has to offer, combining them with original designs and exceptional craftsmanship.

Lucas Grogan Limited Edition Medium Bowl

HK$2,600.00 HK$1,300.00

Limited Edition Medium Bowl byLucas Grogan Lucas Grogan lives and works in Melbourne. He began exhibiting in 2005 and since that time has had a meteoric rise to prominence. Essentially a textile artist who also employs drawing, Grogan uses line and pattern in the absence of color, often pairing his unique graphic style with an acerbic wit. His pithy phrases and vignettes of everyday life simultaneously make acute observations while finding connections across a broad spectrum of experiences. His work has appeared in numerous art and design publications and he has undertaken a number of large-scale wall commissions such as the façade of MoVida in Hosier Lane in Melbourne. Grogan's work is found in the collections of Deutsche Bank, Wesfarmers, David Walsh, Artbank,, Newcastle Region and Art Gallery and numerous important private collections.

‘Sai Ying Pun’ Chinese Dining Set for 2 - Chocolate

HK$1,180.00

A 12-piece fine bone china Chinese dining set for 2 in chocolate designed by Louise Soloway Chan. The boxed gift set includes 2 side plates, 2 Soup bowls, 2 rice bowls, 2 soy sauce dishes and 2 chopstick holders. The designs features characters and illustrations taken from the artists installed artworks in Sai Ying Pun MTR based on the districts street life.

Angela Su Limited Edition Serving Platter - Artichoke

HK$3,800.00 -50% HK$1,900.00

A boxed set fine bone china serving platter designed by Angela Su(edition of 80)

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

‘Essence D’ by Guan Yi (Unframed, Large)

HK$4,300.00

Unframed 84x118.8cm Artist: Guan Yi

Guan Yi was born in the ’60s, and like many of the artists who grew up in that area he holds pure cultural ideals. In the ’80s, he was even something of an avant-garde artist himself. The logo of the 1989 China contemporary art exhibition — the “No U-Turn” sign — hangs behind his headboard. In 1993 Guan started running a business. But still, driven by his personal philosophy and rabid passion for art, he later returned to the art world. Before that, aside from in the company of business acquaintances or family members, Guan rarely mentioned his love of art. After returning to the art fold around 2000, Guan Yi has put no limitations on his art collection. In 2001 he established the “Guan Yi contemporary art museum,” with his collection being referred to by Westerners as “the best way to understand Chinese contemporary art.” In 2002, Guan collected his first installation work, Huang Yong Ping’s “World Factory” — a colossal 260 square meter rendering of the Chinese map made of metal bars. Between 2003-2005, Guan Yi collected a series of works by Huang that range from 1985-2005, 16 works in all. Soon, he had become Huang Yong Ping’s top collector.

'Wisdom G’ by Guan Yi (Framed)

HK$4,300.00

Framed Artist: Guan Yi

Guan Yi was born in the ’60s, and like many of the artists who grew up in that area he holds pure cultural ideals. In the ’80s, he was even something of an avant-garde artist himself. The logo of the 1989 China contemporary art exhibition — the “No U-Turn” sign — hangs behind his headboard. In 1993 Guan started running a business. But still, driven by his personal philosophy and rabid passion for art, he later returned to the art world. Before that, aside from in the company of business acquaintances or family members, Guan rarely mentioned his love of art. After returning to the art fold around 2000, Guan Yi has put no limitations on his art collection. In 2001 he established the “Guan Yi contemporary art museum,” with his collection being referred to by Westerners as “the best way to understand Chinese contemporary art.” In 2002, Guan collected his first installation work, Huang Yong Ping’s “World Factory” — a colossal 260 square meter rendering of the Chinese map made of metal bars. Between 2003-2005, Guan Yi collected a series of works by Huang that range from 1985-2005, 16 works in all. Soon, he had become Huang Yong Ping’s top collector.

'Journey to Xiamen 2' by Tony Scott (Unframed)

HK$3,300.00

Unframed 60x60cm Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

‘Nostalgia Tea’ by Gao Ping (Framed)

HK$4,600.00

Framed Artist: Gao Ping

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Tsang Kin Wah Limited Edition Plates - Set of 4 - Blue

HK$4,400.00

A boxed set of 4 fine bone china sinner plates by Tsang Kin Wah (edition of 50)

TSANG Kin-Wah (b.1976) was born in China and is a graduate of the Chinese University of Hong Kong and Camberwell College of Arts at the London Institute. Tsang participated in various group exhibitions such as Reversing Horizons (Museum of Contemporary Art Shanghai, Shanghai), You Cannot Clone It, But You Can Buy It (ArtChina Gallery, Hamburg), Art Fair Tokyo 2007 (Tokyo), Good/Bad­ (Museum of Dostoevsky, St. Petersburg), The State of Things (National Museum of Art, Architecture and Design, Oslo), 30x30 (Vertigo Gallery, London), Hong Kong Art Biennial (2001, 2003, 2005), and has been presented in the solo exhibitions Space – Installation Exhibition by TSANG Kin-Wah (Room With A View, Shanghai, 2004)

He is a recipient of the Hong Kong Art Biennial’s 2001 Prize of Excellence, the 2005 Sovereign Asian Art Prize, the 2007 Tokyo TDC Prize and his works are found in key collections worldwide, including the Sovereign Art Foundation, Museum of Design, Zurich, the Camberwell College of Arts, London, the Hong Kong Museum of Art, and the Hong Kong Heritage Museum.

‘Essence D’ by Guan Yi (Unframed)

HK$3,250.00

Unframed 42x59.4cm Artist: Guan Yi

Guan Yi was born in the ’60s, and like many of the artists who grew up in that area he holds pure cultural ideals. In the ’80s, he was even something of an avant-garde artist himself. The logo of the 1989 China contemporary art exhibition — the “No U-Turn” sign — hangs behind his headboard. In 1993 Guan started running a business. But still, driven by his personal philosophy and rabid passion for art, he later returned to the art world. Before that, aside from in the company of business acquaintances or family members, Guan rarely mentioned his love of art. After returning to the art fold around 2000, Guan Yi has put no limitations on his art collection. In 2001 he established the “Guan Yi contemporary art museum,” with his collection being referred to by Westerners as “the best way to understand Chinese contemporary art.” In 2002, Guan collected his first installation work, Huang Yong Ping’s “World Factory” — a colossal 260 square meter rendering of the Chinese map made of metal bars. Between 2003-2005, Guan Yi collected a series of works by Huang that range from 1985-2005, 16 works in all. Soon, he had become Huang Yong Ping’s top collector.

‘Nostalgia Tea’ by Gao Ping (Framed, Large)

HK$6,300.00

Framed Artist: Gao Ping

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Angela Su Limited Edition Cushion Cover 2

HK$800.00

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Simon Birch Limited Edition Dinner Plates - Set of 4

HK$4,400.00

Born in 1974 in Brighton, England, Birch has lived and worked in Hong Kong for over twenty years. He has had solo exhibitions in Beijing, Los Angeles, Miami, and Singapore and has participated in group shows at the Hong Kong Museum of Art and the Museum of Contemporary Art, Tokyo. Birch has been awarded the prestigious Louis Vuitton Asian Art Prize and the Sovereign Asian Art Prize. He has organized manylarge-scale multimedia installation projects in Hong Kong, most notably: HOPE & GLORY: A Conceptual Circus (2010) and Daydreaming WithThe Hong Kong Edition(2012) and has recently opened his show, The 14th Factory in Los Angeles.

back to top