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  • Price: HK$6,599.00 - HK$8,331.00

'Wisdom G’ by Guan Yi (Framed, Large)

HK$6,600.00

Framed Artist: Guan Yi

Guan Yi was born in the ’60s, and like many of the artists who grew up in that area he holds pure cultural ideals. In the ’80s, he was even something of an avant-garde artist himself. The logo of the 1989 China contemporary art exhibition — the “No U-Turn” sign — hangs behind his headboard. In 1993 Guan started running a business. But still, driven by his personal philosophy and rabid passion for art, he later returned to the art world. Before that, aside from in the company of business acquaintances or family members, Guan rarely mentioned his love of art. After returning to the art fold around 2000, Guan Yi has put no limitations on his art collection. In 2001 he established the “Guan Yi contemporary art museum,” with his collection being referred to by Westerners as “the best way to understand Chinese contemporary art.” In 2002, Guan collected his first installation work, Huang Yong Ping’s “World Factory” — a colossal 260 square meter rendering of the Chinese map made of metal bars. Between 2003-2005, Guan Yi collected a series of works by Huang that range from 1985-2005, 16 works in all. Soon, he had become Huang Yong Ping’s top collector.

‘Sandpaper and Light 2’ by Tony Scott (Framed, Large)

HK$8,330.00

Framed (this is big and needs flat mounting too) Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

‘Essence D’ by Guan Yi (Framed, Large)

HK$6,600.00

Framed Artist: Guan Yi

Guan Yi was born in the ’60s, and like many of the artists who grew up in that area he holds pure cultural ideals. In the ’80s, he was even something of an avant-garde artist himself. The logo of the 1989 China contemporary art exhibition — the “No U-Turn” sign — hangs behind his headboard. In 1993 Guan started running a business. But still, driven by his personal philosophy and rabid passion for art, he later returned to the art world. Before that, aside from in the company of business acquaintances or family members, Guan rarely mentioned his love of art. After returning to the art fold around 2000, Guan Yi has put no limitations on his art collection. In 2001 he established the “Guan Yi contemporary art museum,” with his collection being referred to by Westerners as “the best way to understand Chinese contemporary art.” In 2002, Guan collected his first installation work, Huang Yong Ping’s “World Factory” — a colossal 260 square meter rendering of the Chinese map made of metal bars. Between 2003-2005, Guan Yi collected a series of works by Huang that range from 1985-2005, 16 works in all. Soon, he had become Huang Yong Ping’s top collector.

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