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Lam Wai Kit is interested in the relationship between individuals and their surrounding circumstances reconstructing images and daily experiences in order to search for the notion and representation of identity. Her mug depicts images of Ravenna and Hong Kong and is entitled Divided Minds 44. Kit studied at CUHK and Goldsmiths, London and works in Hong Kong in the medium of photography, video art and sound. Showing internationally, she has taken up residencies in Norway, Portugal, Spain and Germany.

Lam Tung Pang uses both traditional and non-traditional materials to produce pieces engaging with ideas of memory and history. His mug depicts a tiny scaled model of a man, reading a newspaper, in front of window patterns a detail from one of Tung Pang's major art piece, The Youngest and Oldest, 2011. Tung Pang studied at Central St. Martins, UK and has been awarded numerous scholarships and awards, including the prestigious "Hunting Art Prizes Young Artist of the Year”, U.K. and the HK Contemporary Art Biennial Awards. He has exhibited worldwide.

Magdalen Wong's work focuses on discovering alternative perspectives and experiences for everyday objects, often interpreting their shape and packaging as "scores” or codes for potential actions. Her mug has been taken from a video piece recently exhibited in Osage Kwun Tong Gallery. Wong received an MFA from the School of the Art Institute of Chicago. She has performed and exhibited in the United States, Hong Kong, South Korea, China, and Sweden. She currently lives and works in Hong Kong.

Ho Sing Tung is interested in literature and movies her paintings are often maps of personal journeys, both real and imaginary. Her mug depicts political figures around a reversed personal map of Hong Kong and is a commentary on the ineffectiveness of government. Ho Sin Tung was trained at the Fine Art Dept of CUHK. She was born and brought up in Hong Kong and has shown widely in Hong Kong, being represented by Hanart TZ Gallery.

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).