Artists' Editions

Unframed 75x163.5cm Artist: Tony Scott

For over 14 years Australian artist Tony Scott has been traveling, working and exhibiting in China. His work is now informed and inspired by the architectural and cultural traces of his journey. His “New Health Plan Series and Fading Images Series” are an assemblage of concertina books and acupuncture charts found in Beijing.

1984 - Bachelor of Education: Arts and Crafts, University of Melbourne. Distinction in Painting, Graduate thesis:Three Indonesian Cultures 1974 - Higher Diploma of Education: Arts and Crafts, University of Melbourne, Major: Sculpture and Performance

Unframed 60x60cm Artist: Gao Ping

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Unframed 100x100cm Artist: Gao Ping

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Unframed 60x60cm Artist: Gao Pingn

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Unframed 100x100cm Artist: Gao Ping

Gao Ping is a traditionalist in a contemporary world.  She has avidly studied Chinese traditional painting and much of her inspiration is drawn from her knowledge of those techniques and the Masters of those times. She uses these techniques with expert precision to create inner conversations and the results are contemporary paintings heavy with emotion. An introvert who battles with the fast pace of the city, she uses painting as her means of escape and communication.  Much of her work seeks to bring still and calm, much of it is a journey to a less frenetic environment. Her abstract works take her away from daily noise and her ink studies are more reflective and nostalgic of her childhood and the scenes she sees around her in daily life. She is a well exhibited artist with international recognition and has been featured in “Half the Sky”, a book by Luise Guest, Manager of Research at the acclaimed White Rabbit Collection in Australia.

Material: Tibetan wool   Size: 6 x 9ft   100 knots       For more pricing and further information please send us your inquiry:Custom Order 

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).

Angela Su received a degree in biochemistry in Canada before pursuing visual arts. Su’s works investigate the perception and imagery of the body, through metamorphosis, hybridity and transformation. Her pseudo-scientific drawings often combine the precision of scientific sketches with a mythical aesthetics, challenging the audience’s visual sensation of the pleasure of pain. Her research-based projects include drawing, video, performative and installation works that focus on the interrelations between our state of being and scientific technology.

In 2002, Su had her first solo exhibition “De Humani Corporis Fabrica” at Goethe-Institut Hong Kong. In 2019, Su was commissioned by Wellcome Trust to present a commission project in “Contagious Cities: Far Away, Too Close” at Tai Kwun, Hong Kong. She has also participated in group exhibitions including “Time Test: International Video Art Research Exhibition” (CAFA Art Museum, China, 2016); “17^th Biennale of Sydney” (Museum of Contemporary Art, Australia, 2010); “Hong Kong Eye” (Saatchi Gallery, UK, 2012); “Departure” (He Xiangning Art Museum, China, 2009); “Reversing Horizons” (Museum of Contemporary Art, China, 2007); and “The 2^nd Shenzhen Biennale of Architecture and Urbanism” (OCT Shenzhen, China, 2007). In 2013, she published an artist novel Berty, and in 2017, a science fiction anthology Dark Fluid where she uses sci-fi as a method for social critique.  Her work is collected by M+ (Hong Kong) and CAFA Art Museum (China).